TALKS
Conversations without a script. No PR tone.
Just thoughts wandering until they hit something real.
AI AND ROME! WHEN ARTIFICIAL INTELLIGENCE TRIES TO UNDERSTAND A CITY THAT REFUSES EXPLANATION
TRAVELTHEY SAY ROME DOESN’T NEED EXPLAINING. IT NEEDS TO BE LIVED. BUT WHAT IF ROME LIVES YOU FIRST? THIS TIME, MY TRAVEL COMPANION WAS CHATGPT. THAT’S WHEN I REALIZED WHAT IT LOOKS LIKE WHEN NIGHT LASTS FOR DAYS - AND KEEPS GOING.
Word:
Danilo Mašković
Photography:
Stefan Miloš
Date:
19.1.2026.
I think there’s no harder question than the one people keep asking me: “What’s your favorite place?” I’ve never had an answer. As a master of deflecting conversations, I usually recall some travel anecdote and build a story where none was asked for. Sometimes I even ask myself: what place is it, really? And in which year did it even happen.
I mostly remember things like an elephant. (If I didn’t like elephants, I’d probably dispute that claim too.) And sometimes it feels like I haven’t even lived my own life. That depends on the mood. People who know me are familiar with that trait. But a place? A place was always someone - a friend, a brother, a sister, a passerby, accidental or intentional. They made the journeys. They were the favorite cities. The favorite theaters. The favorite restaurants. That’s exactly why Paris on a Wednesday can feel mediocre, while Zagreb on a Tuesday can be an excellent night out. (Any resemblance to real events is entirely intentional.
Over time, I learned that I always remember the companion first — and only then all those “Colosseums.” It took me a while to become aware of that. Maybe Rome itself would have been different without all those people. Or maybe I would have been different without Rome. Both are true. And neither exists without the other.
This is also the legend of Madame LaLuce. She knows she is Rome. And that’s simply how it is. Every espresso, every breath, every paving stone, every sleepless night — she’s in all of it. Rome is her. And I am always a little more myself when I’m with her in that city.
It’s quite late, and I like to linger at night. The city glows in the distance. I reassure myself there are still others awake. And there were...COME POSSO AIUTARTI?Me: Can you explain Rome to me?
ChatGPT: Rome is the capital of Italy, known for its rich history, architecture, art, and cuisine. Symbols of the city include the Colosseum, the Roman Forum, the Vatican, the Trevi Fountain…
Me: No. Don’t lead me into a brochure. Try explaining that feeling when you sit on the edge of a fountain and the water murmurs like a sentence someone never let you finish.
ChatGPT: Based on available sources, the feeling you’re describing can be associated with nostalgia, longing, melancholy…
Me: That’s not an emotion. That’s Rome.
That’s the moment when you’re sitting on the Spanish Steps (back when it was still legal), and someone is silent at you with their eyes and you know that silence carries more meaning than any loud “Ciao bello!”
ChatGPT: Would you like me to create a personalized walking route in Rome based on your interests?
Me: I’m interested in a route to a place that no longer exists. To the bar we called Pace - now living only in the air. I’ve heard it reopened its strangely closed doors. I need to check that myself. What I really want to know is how to write down that moment when you can’t tell whether the smell of rain is coming from nearby pine trees pini di Roma or from fresh paint in an apartment where someone is restoring a vintage furniture collection.
ChatGPT: I’m sorry, I can’t locate all of those places. Would you like me to search for alternatives nearby?
Me: You don’t need to search for anything. Just stay here. And listen.CHIEDI QUALSIASI COSAChatGPT: Alright. Take me through your Rome.
Me: First rule: forget plans. Rome laughs at them.
For example, I wanted to visit the Baths of Caracalla, a place not everyone puts on their list. There must be a reason for that. But instead, I ended up at Jane’s studio - JaneDoes. Wine was poured into mismatched glasses, music from someone’s childhood played in the background, we looked through projects and vintage décor collections, and talked about the City. Some things you can even take home in your carry-on luggage. (Did I bring something back? I did.)
ChatGPT: So, nothing classic then?
Me: Only if it’s on my terms.
I went to the keyhole on the Aventine Hill. I waited my turn, it was around 28 degrees, a few people ahead of us. And then - that scenographic perfection: St. Peter’s Basilica, framed perfectly. Silence. That was the only “selfie” I took that day - for myself, not of myself. I don’t write guides. I write situations.
ChatGPT: Situations? Like… a mild fistfight on Piazza Navona?
Me: How do you know about that?! Piazza Navona used to be our film set - once even a ring. There was a night club in a narrow street behind it. A favorite at the time. I’m convinced all that charged energy has something to do with those two quarreling artists and their works - fountains clashing with the Church itself. In my life, art always imitates life.
And you know what? If Emily in Rome had existed, I would’ve written the script for them. A missed opportunity for me, and especially for them. That’s my short and sufficient review of that TV (non-)achievement.ChatGPT: And where would you stay?
Me: If I weren’t staying with friends, I’d choose The Monastero Collection Roma, near Circus Maximus. Once a monastery, overlooking the Palatine Hill, after which palaces are named, just so you know where you are. Here, your heart beats slower — but stronger. A courtyard where you can hear your thoughts moving. Walls that could literally speak, but never feel frightening. My favorite hotel moment? I make a Nespresso, sit by the window, and look at the palace. That’s how the nuns once did it when this place served them.
Next door, there’s a museum dedicated to culinary history, an essential layer of this city.In Garum, I found a dinner recipe from 1732. I can’t wait to give it to Manda, so we can finally eat like Roman emperors. They also host a vintage festival here, vintage culture is incredibly strong in Rome, so good shopping is guaranteed.
(Chat pause)
I recall stepping outside the hotel gate with a glass of prosecco, pausing meaningfully, crossing Via dei Cerchi, and finally toasting the Great Circus.
What a feeling.ChatGPT: After all that, you must get hungry. Where do you eat?
Me: Depends on the time of day. In the morning, I’d send you to Bar Farnese, to an old gentleman in his 80s who’s worked there since he was 18. I’m sure he’ll make you a perfect cappuccino, and a sweet Roman breakfast that fuels you until early lunch. Then you always - always - get lost in Trastevere and find a place without a tourist menu. They exist. Trust me. Just rub your eyes and your stomach, a little. Conceptually, you might start at Da Enzo al 29, end up with a Negroni at Freni e Frizioni, and finish with an (alcoholic) dessert at Teatro e Cioccolata. That loop, that’s where everything aligns for me.ChatGPT: The most beautiful view of Rome?
Me: La Grande Bellezza. Opening scene. The Gianicolo viewpoint. You look at Rome the way you look at your past lives. I have nothing to add. After that, you toast the moment at Bar San Calisto. Continue the experience. I used to drink half-liter Peronis there. Still do. Only now the bar owners probably live a bit better - and that’s fine.
ChatGPT: So, is Rome your favorite place?
Me: Yes. But not because of the Colosseum. Nor because of tiramisu.
Because of LaLuce.Because of white smoke.Because of those days when you’re searching for nothing and find everything.
Because Rome is like an old friend who always tells you the truth, without judgment.Because it’s the only city where I know how to be silent without feeling alone.
ChatGPT: And when you think you’ve fully understood it?
Me: It changes language.Or rhythm.Or the corner you thought you’d already been to.
And then - you stop asking.And let it speak forever.(Chat pause)
I thought of the Pope. That departure…I can’t explain it, but everything that truly brings me joy in life contains that moment of eternity (and yes, this realization cost me many therapy sessions).
We’re waiting for the white smoke.A theatrical confirmation that the world is, after all, still turning.
My current white smoke is www.stefanmilos.com.May the Holy Spirit of design descend upon everyone who clicks.
Amen.
A TEMPLE OF ART WHERE RIZZ RIZ RIZ CREATES
ART • TRAVEL • TALKS
Riz Riz Rizz is a renowned Indonesian artist captivating galleries worldwide. His paintings hold complex stories, waiting to be uncovered.
Word:
Danilo Mašković
Photography:
Stefan Miloš
Date:
27.11.2024.
Originaly Published On BURO247HR
Bali is a place of breathtaking nature and equally unpredictable encounters. Little did I know that the latter would leave a profound mark on my arrival to the Island of Gods. Once upon a time (as much as “once upon a time” applies in the virtual world), my Instagram feed led me to Fauve Art House’s profile. Back then, I couldn’t have imagined that one day I’d unexpectedly find myself face-to-face with Riz Riz Rizz—the artist who had been part of my (online) world for years.
This acclaimed Indonesian multidisciplinary artist creates works that grace galleries around the globe. With his ability to convey intricate emotions through his paintings, he offers a glimpse into life’s mysteries. His pieces, often depicting female figures intertwined with animals and literary elements, hold complex narratives waiting to be discovered.
Everything about this encounter felt surreal—from realizing that Rizz’s artistic haven was right in the neighbourhood of my “nomad villa” at Shore Amora Canggu Resort (not somewhere like St. Barts, where he had recently exhibited), to my bold decision to simply show up unannounced. Armed with oversized bills in my pocket— still a mystery to me—and a taxi driver who, naturally, had no change, I stood before the gates of this vibrant estate and asked the guard, “Do you happen to have change?” That moment was my entry into another world—a kaleidoscope of colors, textures, and an indescribable energy.
Imagine a space where female figures and powerful animals merge with poetry and symbolism, where every brushstroke carries a force that pulsates through everything
Rizz is a painter who grounds his work in the raw yet tender symbiosis of colors, crafting a world where chaos and harmony coexist in a unique dance. Rizz himself described his artistic journey to me: “Over 20 years, I’ve experimented with various techniques—realism, figurative art, abstraction, impressionism… Eventually, I found my true love in Fauvism. The freedom, wild brushstrokes, and vibrant colors are what define me.”
As he spoke of Matisse and Derain, it was clear how deeply their style resonates with him. Yet, for Rizz, Fauvism is more than an aesthetic—it’s a way to express the passion that fuels his life. Sometimes, in spontaneous and authentic encounters with art, we experience a moment where space and emotion blend seamlessly. This was one of those moments.
WOMEN AS A UNIQUE UNIVERSEIn past travels, I’ve stumbled upon galleries that felt like sanctuaries, spaces where every artwork breathes, and where emotions and stories speak in whispers rather than shouts. I’ve come to understand that art is more than visual stimulation; it’s a convergence of all life’s facets, often through a dance of symbols and visual allegories.
Take the women in Rizz’s paintings, for instance—they aren’t mere figures. They carry stories, inviting us to interpret them through symbols and signs. Just as furniture or a color can hold history, memory, and emotion, Rizz’s women convey silent yet profound tales waiting to be felt and understood. His work is rich in symbols, many drawn from Balinese art. It’s fascinating how he blends traditional motifs, like the harmonious relationship between humans and animals, with a different aesthetic direction. Though rooted in tradition, his art opens doors to something profoundly modern and universal.
“I don’t explicitly represent my culture,” he explained, “but the animals in my paintings are influenced by Balinese art. I combine them with my Fauvist aesthetic to capture the essence of wilderness and nature. This fusion,” he added, “offers a fresh perspective on Indonesian art and inspires young artists to explore uncharted territories.”
FROM CANVAS TO CLOTHING
One corner of Fauve Art House particularly caught my eye: a clothing collection inspired by his paintings. The patterns, reflecting motifs from his artwork and rendered on natural fabrics, were so striking that I couldn’t resist trying a few pieces. “Transitioning from canvas to fashion felt like a natural step,” Riz admitted. “I use natural textiles and earthy tones as part of my vision. Honestly, I didn’t expect people to love this collection as much as I do.”
This (mostly unisex) collection is proof that art can live beyond gallery walls, connecting with audiences in entirely new ways. It reminded me of the philosophy of People Like Us Community—a brand that celebrates not just aesthetics but also the passion and love for blending opposites, embracing both the masculine and feminine sides within us all.Throughout the space, discreetly tucked among ceramic vases, were bottles of red wine—a motif that frequently appears in Rizz’s paintings. When I asked him about their meaning, he smiled and said, “A glass of red wine often accompanies my creative process. It’s like a flame that stirs my passion and adds depth to my work. The combination of the wine’s color and my brushstrokes symbolizes the fire that drives my creativity.” Needless to say, the Dionysian side of me rejoiced at his words “The best ideas come to me in my sleep,” he laughed. “That’s my trick—while others sketch dozens of drafts, I let myself dream. In that liminal space between waking and sleeping, my strongest paintings are born.” Rizz shared another “secret” of his—a moment of clarity that fuels his artistic process.
“AI? NO, THANK YOU.”
Toward the end of our conversation, we touched on technology’s role in art. While many today explore the possibilities of VR or AI, Rizz remains firmly rooted in traditional methods.
“AI? No. That’s just not for me. Traditional methods are sexy—they bring passion. There’s something magical about the friction of a brush against the canvas, in the imperfections that are so human. AI can’t replicate that emotion.” This primal, natural connection to the human element and his focus on authenticity are what make Rizz’s art so unique. Every color and brushstroke carries a piece of his being—his passion, dreams, and vision of the world.
RIZZ BEYOND HIS ARTIST’S HAVEN
My encounter with Rizz didn’t end at his doorstep. What began as an improvised adventure evolved into a true Riz Riz Rizz (adven)ture. Visiting the renowned concept store The Medium Design revealed a special collection of his paintings housed in custom-made frames, alongside ceramic sculptures radiating the same energy as his home. Further exploration led me to the restaurant Longtime, where Rizz’s sculptures and paintings elevate the modern interior to a whole new level. His presence is felt in every detail, turning the space into a fusion of art and design. The food here isn’t just good—it’s an experience.
Rizz also shared that in April 2025, he’s preparing a major European exhibition at iD|room in Geneva. Based on everything I’ve seen and felt, I can only imagine what that story will look like. The hunt for low- cost flights is already underway—after all, Rizz isn’t just an artist; he’s a journey unto himself
I’ll end this story with words spoken about him by Tamara Davis, director of Jean- Michel Basquiat: The Radiant Child: “Rizz is a true artist. His passion for what he creates and his infectious energy completely captivated me. He has that same childlike yet serious quality I noticed in Basquiat. He makes you wonder—is he naïve or a genius?”

